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Arshiya Lokhandwala |
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Take a moment to Pause: Breathe
Amongst the things we take for granted in our lives is the involuntary act of breathing. We however forget that we are not the only ones alive. We are dependent on the earth and our environment for our existence and subsistence. What happens when we do not yield the impending signs that herald our own destruction? This preciousness of our lived experience is highlighted in Sonia Khurana’s video Breath 1, 1998, in which the fragment of the body (the stomach) is presented ambiguously as a landscape. The close up of the cycle of respiration further highlights the beauty of body-- alive and breathing, as it swells and sinks in repeated cycles, making us aware of the fragility of our bodies. In a similar manner, Mithu Sen’s Breathing draws on the sensuality of the breath itself. Conceived as a performance, this 2004 video captures the artist laying her hair as a sculptural ornament on different parts of her body. Envisioned less to camouflage the body, but more as a life renewing loving gesture, Sen’s attempt in this video is to demolish the boundaries between the abjection(hair) and love, choosing instead to celebrate the moment of being alive and breathing life. This thought of breath of life is continued in Sharmila Samant’s video Dilemma, 2005-9 that like Khurana’s work reveals the woman’s belly allegorically representing the earth. The focus here however, is not only on the belly itself, but the child that is growing inside. Given the current political unrest in the world, wars and violence, the mother and child are anxiety–driven, and in a dilemma to consider living in a society filled with war, hate and fear that is destroying not only human life, but threatening the existence of the earth as well. The baby is long overdue and the clock is ticking, and a decision needs to be made soon. Baptist Coelho further highlights the consequences of this environment destruction in the video Something Terrible has Happened, 2009. In this work, Coelho presents an anonymous businessman mechanically inserting air vent endlessly into a fertile landscape. Every insertion is marked by a brutal blow of an axe that leaves the landscape scarred with air vents, in which air that benefit the human race harms the environment through global warming. Thus, in contemplating this seemingly insignificant act of consuming the landscape, the viewer is left to calculate this cost for future generations to come. Aaditi Joshi further highlights these effects in her 2009 video, Suffocation. Here the artist is seen gasping in a plastic bag, an outcome resulting from our own negligence in producing environmental hazards materials that further deplete our natural resources and threaten our existence. Here the artist metaphorically asks why we are seeking our impending doom and our own asphyxiation. It is time to pause-- breathe and do something about these issues now, as it is already late.
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