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How
international IS INDIAN ART
Indin gallerieshave begun making forays into the global
Scene, but more needs to be done
I
had the great fortune of attendingoneofthemostimportant
international an fairs in the world called the 'Basel An Fair'
in June this year. It's ahnost impossible to describe the atmosphere
of such a large show. Even before I landed in Switzerland, I felt
the excitement and the buzz because many of my fellow air passengers
were also attending.
I can tell you thatI was overwhelmed and somewhat bewildered
when I entered the fair. There were galleries from all over the
world partidpating 'and you could see a range of artists from
the most junior all the way up to Picasso. Every imaginable medium
was exhibited: pedormingans, paintings, sculptures,
drawings, and video an.
It was refreshing to see the large number of drawings and srulptures
that were exhibited, showing a re-emergence of these media. Andall
of it under oae roof. with buyers and dealers milling about
all busy making investments.
A laIge Indian art fraternity of gallerisls, dealexs and major
collectors was in attendance. Nature Mone Gallery was participating
in the show for the first time. Works by Justin PoDanary
and Subodh Gupta, were creatinga lot of interest in fndian art.
Subodh Gupta was also represented by his Swiss gallery. It
was hearteDing to know that the project commissioned by the Swiss
gallery was sold for 800,000 euros to a German collector.
Since then. the question has arisen - how international is
Indian art? How do we reach this level? With all the talk of globalisation
and of India emerging as an economic power, how can we make our
an international? Indian galleries have begun making forays
into the international scene, but more needs to be done. To begin
with, we should have a more organised exchange of major artists
with the major museums in the West.
This will require corporate patronage because of the huge
sums of money involved in establishing such programmes.
Along with taking our an to the world at large, we need to showcase
more and morc foreign artists in India.
In China. for example, the major galleries are showing Chinese
an as well as an from all countries, and collectors havestaIted
collecting international art.
Here, in India, collectors arc only looking at Inman an. This
is natural and the trend will change once people are aware of
the value of We stem an. All the more reason todedare that an
art fair is the call of the day!
(The
author owns GalleryEspace in New Delhi)
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